"Stranger Than Paradise (The Criterion Collection)" on IMDb

Back to the past The best stranger in the 1980s in 1984 was not the minimalism of heaven, nor the product of other planets, it was like another era. It is so "closed", ie alternative and inappropriate, it is (right). It is now regarded as a masterpiece of an American independent film, but it is compared with other monochrome first functions such as Border Radio and Mala Noche (carefully restored by Filiter Experts of the Criterion Collection). Praise is reasonable - except that it is not Jarmusch 's first movie. This honor belonged to a permanent vacation in 1980, and the long-awaited digital processing was done on these two disc machines. The debut work of Jarmusch, taken by Tom DiCillo, is developed mainly by Parker's name. ChrisParker is Aloysious Parker, duck New Yorker of Charlie Park Jones. Ally is a vagrant and philosopher of the dime shop. "This is how I do my job," he told in voice of voice. "I came from this place, this person, that place, or one of them." That's why he did it. Jarmusch was born in New York University and he helped Nicholas Ray, who showed talent for nature's framework and dialogue (Allie lives in "Vibration, Dangdang Voice"). The contact with his actor - Frankie Physon's greed - is uncertain, but he learns very early. Lounge lizard John Lurie is a saxophonist. DiCillo returned to a stranger instead of heaven, he exchanged colors of black and white stock with Jarmusch (donated from Wim Wenders). In this "semi-realistic black comedy" Eszter Balint of Hungarian teenager came to New York ("New World") when the filmmaker included it in the production note (including this episode). Her cousin stayed together, Relye looked like a drift like Ally and she continued to travel to Cleveland ("One Year") and Florida ("Paradise"). There is nothing better than that, Willie and Eddie (Richard Edson) mark it together. In contrast to today's high-speed cutting, Jarmusch uses a static lens divided by a black screen. He might have hinted at Ozu and honeymoon - digging out those bristle hats - but the final product could not be more unique

The dual functions approved by the director include a German television documentary (Kino '84: Jim Jarmusch), behind-the-scenes images, trailers in the US and Japan, and a 44-page booklet written by J. Hoberman and Luc Sante It is. . This special edition represents one of the most important DVD versions of the 2000s, as strangers are one of the decisive movies of the 1980s than heaven. - Kathleen C. Fenicey

Stranger Than Paradise was released as the 400th champion of The Criterion Collection DVD. The DVD contains the second Jarmusch movie including the Permanent Vacation (1980), the first movie. Both movies were restored using HD digital transmissions supervised and approved by the director. Supplementary shots of the second CD include Kino '84: Jim Jarmusch (a series of actors and staff interviewing two movies on a German television show), and Super Director's behind the scenes Some Days (1984) The brochure attached booklet includes Jarmusch's 1984 article "Some notes about stranger than heaven" and Geoff Andrew and J. Hoberman's permanent leave on Stranger Than Paradise and Luc Sante Criticism about it is included.

Strangers are longer than everything in heaven, sometimes boredom and have little or no conversation. This minimalist approach is very effective for Stranger Than Paradise which is focused on three basic mediocre, sleepy characters. Willie is not the main character of the mainstream Hollywood movie. In his comments on "a stranger beyond heaven", Roger Albert told Willie spent his time? I will try to perfect his New York accent and release it from myself

Stranger Than Paradise is a movie from two different financial conditions. Originally it was produced as a silent movie of ten minutes in 40 minutes from the original picture of Wim Wenders' "Material Situation" (1982), but eventually it has grown to be a 30 - minute short movie. Secondly, the first efforts of Jarmusch and Stranger Than Paradise attracted the attention of German television producer Otto Grokenberger and director of Wender's Gray City Productions, Paul Bartel. As a result, the remaining 60 minutes of the unknown paradise shows a total of 120 thousand dollars arranged by Grokenberger, who became the executive producer of the movie. It takes 19 days to shoot, and the movie will be broadcasted in two years.