“Speak what we feel, not what we ought to say”

In January 2014, the opening of a new work at the National Theater by Shakespeare's tragic king Lia. Simon Russell Beale, one of Sam Mendes' most respected stage actors, played King Lear when he founded Edgar / Poor Tom at Royal Shakespeare Company (RSC) in 1993. That work was supervised by Adrian Noble, the art director of RSC at the time, and the second performance at RSC supervised in 1982.

Edgar is a complex personality that demands an actor to play a different language and voice role. Unlike his stepfather Edmond, Shakespeare initially did not give a strong character to Edgar, but as the game progressed he embarked on various disguises and his appearance grew. Only in the last scene of the drama, he can reproduce oneself. In a detailed study on Arden's third edition "Lear King", Prof Foakes discussed the differences between the texts of Quarto in 1608 and Folio in 1623 and the difficulties encountered in discussing the drama and its role Did. Edgar plays a more important role in the Quarto text role, but these paragraphs do not exist in folio. But Folio made the last speech to Edgar, not Albany like Quarto, and from time to time Edgar was a new king. However, Professor Foakes believes that the role of Elar is "ambiguous" than providing a moral compass for Lear and Gloucester.

Malcolm Rutherford wrote to the Financial Times on May 22, 1993 (May 22, 1993) as follows. He also studied the crazy life and praised Simon Russell Beale "absolutely right" like Edgar, who pressured the book. Later, as a confused poor Tom, he was the only one who could hear distant music. When he came out of his research, it meant a gentle past. Well, I'm looking forward to Simon Russell Beale depicting Lear in March, and the comments are amazing!

This blog was dedicated to Reg Foakes, emeritus professor at the University of California, Los Angeles in Los Angeles, died at Stratford's home during Christmas and attended the ceremony on Monday, January 20th. It is the most popular visitor to Shakespeare's birth place trust library and archives.

Occasionally he became a powerful artist of his later career and his work was both unexpected and at the same time the peak of his life. The latest work by Frederick Buechner "Tell me what I felt (should not talk)": A consideration on literature and faith by HarperSanFrancisco in August. The title of Buechner comes from the Albany dictionary in King Lear of William Shakespeare. "We must comply with the weight of this sad moment, in this work it is easiest to compare this work with" the truth to the truth: the gospel as a tragedy, comedy, fairy tale ". As we feel, Buechner looks back on the interesting and complex question, "Which great writer can produce their best work in the living environment?" Impossible group of writers: Gerald Manley Hopkins, Mark Twain, GK. Chesterton and Shakespeare

Therefore, the story should not be that Tillason called the playing cards foolish. This should be that many people are asked if he is not, and continue to pretend to be a bit shameful of the truth, and those who say the truth are incredibly half You are forced to make a statement of apology and erroneous respect. Ace. The story should be that the Republican Party of Power did not do anything to protect the country from playing cards. They did not intervene, trying to get rid of irresponsible behavior toward North Korea. In the face of Charlottesville, or devastating hurricane, only a handful of people speak the language, he is still considerate considerate. When insulting our allies and calling our enemies naively, they rarely said the words. His defamation of his unlimited racial discrimination and his threat to journalists and the citizens and businesses who criticized him were encountered in the party's silence, not condemnation.