'Musee des Beaux Arts'

W H Auden was in Brussels in 1938. As I explained to his friend Mrs. Dodds (Wife of Professor ER Dodds) on a letter dated August 31 - "I've tried to praise Rubens by doing an art gallery, boldness and vitality are breathless Critic John Fuller believes that Oden's mind has this view when he runs the first line of "Muséedes Beaux Arts" contrary to the usual speech grammar. They never missed it ... "Needless to say," An old master is never wrong. " [1]

This also enables the reader to focus on what happens at the edge of the artwork: "Context of eating or opening windows, simply crushing in other places", or "birth of miracle" - Do not you mind if you know the children. In spite of Christ being crucified, Oden seems affectionately rather than assigning responsibilities to account for the dogs who are continuing their "puppy life" in the background; nature

Oden's biographer Richard Davenport-Heins believes that these emotions link poetry to "City of the City" (1949). 'This is how things happen. Eternity and forever / the plum blossom The death toll after the Ladice slaughter of the Nazis in Czechoslovakia, and his reaction to the waves of bad poetry. "What do they think, what is really bothering them?" I do not think that terrorist attacks are guilty.

However, like Oden's "Shield of Achilles" (1952), "Muséedes Beaux Arts" is not a painting but a poet and can not present various scenes, backgrounds and perspectives at the same time. It rhythmically spreads over time.

For several reasons, W. H. Oden may write an article about laziness in his poet "Museum of Art". "Museum of Art" was written in the 1930s, it was the era of depression. As many people are not working at the moment, there is a possibility that laziness and laziness will be combined. Oden may be a little angry with the people who are not working, and then he got his feelings at this job. During this period, Oden visited China from January to July. Oden may have seen how different the two societies are, but how they are more determined to carry out their duties will have major changes in the United States .

Oden's Museum of Arts exemplifies the human race that the writer has shown in publications indifferent to events. The most important and most impressive aspect of this poem is the application of hints to develop the direct and indirect meaning of poetry. The poetry recitation is a concise and indirect phrase derived from the work of another person or to a historical record or famous icon to draw a parallel relationship between the current situation and the cited information or individual It is described as a mention of. Human relations (Wilfred 689) Oden is using implications of both Christianity and Greek in museums for the development of poetry and the formation of satire in poetry

The implications of these poems stand out. They all refer to the pictures of Bruegel. This implies the myth of the Bible and Greece. For example, while the third section of "Fallen Landscape of Ikaros" and "Museum of the Museum" quotes the tragedy of Icarus of Greek mythology, the first and second sections of the Bible are the Biblical I see the Bible. Various events "The scenery of Ikaros falls" and "Art museum" are leading our sense of indifference. Their speech is different. Because "Ikaros' fallen landscape" uses paintings to describe human suffering, whereas "Museum museum" consists of three pictures. Therefore, the "museum" deeply reveals the view and theme of the poet, and shows indifference. Humans provide more information and explanations through three events: Bethlehem census, innocent massacre and depravity of Ikaros