'Merku Thodarchi Malai' review: A rare story, beautifully told

I rarely have a movie trying to set the same speed as Henry Jana Sherkar reads a novel. We are talking about two different media, but one of them will never be the same, but the movie is often impressive and there is a short-lived connection between the characters displayed on the screen. Thus, for filmmakers, completing this illusion can be a challenge for viewers to feel a deeper connection with the characters seen on the screen. Director Merin Tharadar Malai of Lenin Bharathi is an unusual movie that brings you to the world from the first frame in rare cases. Merku Thodarchi Malai represented by the title is more than just a human story. This is the story of the area and its people. If a movie is usually built on a fictitious story,

Merku Thodarchi Malai is based on the true story of neighboring areas living on the border of Kerala and Tamil Nadu. This movie depicts a sustained relationship with the nature that the artist's noble efforts to demonstrate the lifestyle and the progress of technology and gradually disappeared due to the modern lifestyle. Its specialty and focus lies in the life of the resident Rangasamy, who is one of the many people who went to the neighboring spice farm to survive because he had no land. As he and his wife gathered enough money, they lost money due to unexpected events. In addition, he was imprisoned with some other innocent people and forced to become a worker in his land after returning home.

In the Tamil movie industry, Communism was diluted and explained by Idri, Merku Thodarchi Malai depicted the exploitation of workers non-decoratively. This is very important. In the country enthusiastically sticking to development, this film is necessary because Lenin seems to be asking "When you say" development ", are you talking about that development?"

Merku Thodarchi Malai is not a typical commercial movie, it is a purely artistic movie that requires patience to appreciate. The first half is very late and we need a lot of patience to see it. Despite the fact that conversations tend to overlap like other real conversations, actors are very realistic. But wisely, nobody stands out, as Lenin Barati made a movie in such a way that it is not particularly important for the character. I can think of them as people in the village. Even if the frame is not focused on capturing the emotions of a particular actor or actress, everything is caught as if our eyes are somewhere near them.