“Acoustic Space” – Marshall McLuhan Defended Against Himself

After a spectacular rise of more than 20 years, sound research seems to be at a crossroads. Many of the epistemological hypotheses considered to be common in certain fields such as "hearing" and "sound" are controversial. The complex concept of Marshall McLuhan's "acoustic space" and unconsciously offers the opportunity to explore perceptually arranged sound choices as a normative recognition space for sound research.

Veit Erlmann is an anthropologist / ethnologist and senior professor of music history at the University of Texas at Austin. He has won numerous awards, including the Alan P. Merriam Prize of the Best English Award in Ethnomusicological Award, Arnold Rubin Excellent Publication Award from the African Studies Association, and the Mercator Award from the German Research Foundation DFG. He released music and popular culture in South Africa including African Star. South African black performances research, night. South Africa's performance, strength, and practice, and music, modernity and worldwide imagination. South Africa and the West. His latest publication is Reason and Resonance. The history of modern aurality (Zone Books, 2010). In addition to the role as a co-editor of Sound Studies magazine, he is currently writing a book on the intellectual property law of the South African music industry that is scheduled to be published by Duke University Press etlmann @ atxas.edu

However, the quest for acoustic space after the war is not left to the production of music. In the mid-1950's, Canadian media theorists Marshall McLuhan and Edmund Carpenter proposed a dual concept of "acoustic space" and "visual space" to explain the management of "pre-cultural mentality". Guided structure Western imagination (McLuhan, 1960, p.207) .1 They think the acoustic space is a dark and chaotic foil. The visual space is finite and linear, but the acoustic space is "no action, no directionality, no boundary, darkness of mind, emotional world, primitive intuition, fear" (McLuhan, 1960, page 207) . McLuhan 45

Marshall McLuhan is widely regarded as a prospective critic of media and communication means in modern society. The concept of acoustic space is one of the important concepts for Marshall McLuhan to understand the media. McLuhan uses his acoustical space concept to describe communication in verbal traditions. He compares acoustic space with space. It is characterized by cultural communication, especially through writing, especially after writing letters. He suggested using the concept of "acoustic space" to describe the transmission of electronic information through telegraphy, telephone, radio, television, and certainly will accept and accept the digital era when he is so prudent .

Relationship with Marshall McLuhan with acoustic space, medieval philosophers etc: everywhere, there is not anywhere on the edge

Marshall McLuhan introduced the concept of visual and acoustic space in the development of media ecology. The visual space appeared in the ability to read and write, reinforced by the Gutenberg printing press. According to McLuhan, the acoustic space as a verbal traditional feature is retrieved through the electronic configuration information and the digital configuration information is further expanded according to the author through the Internet and the World Wide Web. McLuhan suggested using eyes as ears when watching screen-based internet as well as TV. Paradoxically, the Internet has more visual content than print-based books, and text-based media such as Twitter and Instagram add visual components to their services. Check spatial cognitive dimensions of various multimedia facilities such as the Internet, the Internet, television, movies, digital media